Creativity: A Joy Ride
Monday, October 1, 2001
by: Angel Di Benedetto

Section: Creativity

I was most fortunate as a child to express myself creatively. As a toddler, my father, a painting contractor, often took me along on his jobs. Sometimes, he’d let me draw on his customers’ walls before applying paint or wallpaper. Having the permission to express myself freely was a strong foundation in my artistic development, one that I later discovered could easily give way under pressure.

When I entered a school system where teachers had no particular interest in encouraging any originality, I began feeling shy, defeated, and afraid to take risks. This took a toll on my inner artistic life. By the time I reached my teens, I found myself plummeting into a creative void.

As I reflect back, in spite of these trials and tribulations, this period of my life was a key incentive that would catapult me into a very exciting, satisfying discipline, the Feldenkrais Method®. Adopting the work of Dr. Moshe Feldenkrais was the catalyst needed to gain back the self-confidence I held as a youth, painting spontaneously on blank walls. What were the factors in my Feldenkrais Method experience that would eventually lead me back to my creativity?

I believe that the Feldenkrais Method enhances ingenuity because it motivates us to orient more towards our process than our goals. We learn to make distinctions based on current feelings and sensations, rather than accessing interpretations accumulated from past interpretations. We don’t necessarily know where the process will go—which takes us into newer experiences and we feel more alive.

Creativity comes from within. It is not something we shop for, go to school for, and it certainly doesn’t land on the doorstep of only the lucky! Furthermore, creativity doesn’t go away, we don’t lose it as if misplacing a set of keys. We can however, lose sight of it; clouds cover over it. For my own clarity, over a decade ago, I began exploring the parallels between art expression and the creative process as a metaphor to the comprehension of the Feldenkrais Method. I created workshops throughout the world where participants would shift back and forth from the Feldenkrais Method to painting, starting with tiny drawing on small pieces of paper, leading to broader strokes on life-sized canvasses.

As participants in the Feldenkrais Method, we learn to continually choose better options through movement. If we push, force, or ignore our own pace, we are leaving parts of ourselves behind. This can solicit various forms of frustration. If we listen, perceive, imagine, breathe, etc., we evoke a more global use of ourselves which elicits new patterns of action. The same holds true in painting, playing an instrument, gardening, or anything else we truly engage in.

My sense is that Dr. Moshe Feldenkrais never set out in the world with the intention of having people copy his work, for the path he chose was his own creative process. He often said, “Don’t DO me, DO you. Reinvent the work for yourselves, develop your own handwriting.”

I truly believe that Moshe’s wish was for all of mankind to utilize the Feldenkrais Method as a means to discover ones hopes and dreams...and become more functional in manifesting them.
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